BATTLESHIP POTEMKIN SOVIET MONTAGE MOVIE

Underlying the Soviet montage film-makers concern for the Power of the images in many montage films detracted from, and even undermined, “Whereas, in principle, Soviet montage cinema wasĬommitted to playing a pedagogic role within the prescriptive formation andĪdvancement of communist ideology, in reality, the sheer aesthetic beauty and Symbolistic stylistic language of the director which seems not proper for

BATTLESHIP POTEMKIN SOVIET MONTAGE MOVIE

It is not onlyĪbout ideological digression for this sort of propaganda movie but also a Tendency cause problems between Eisenstein and Soviet authority. Theĭirector seeks artistic pleasure more than a propaganda movie can have. Such as extremely crowded places and some other unrealistic images. Historical event, we might interpret this from some exaggerated way of telling Purpose of the director is not to fully illustrate the reality of this specific Is ordered, after state officials see the movie they censored in some ways. Sevastopol and many non-professional actors took parts. Sergei Eisenstein wasĪppointed for this movie when he was 27 years old. Ordered for a movie telling this historical event. After 20 years of this event, the new communist government of USSR To terminate the tsarist regime has failed and insurrections are strongly Even though the movementĮnded with the 1906 constitutional reform which provides constitutional Strikes, peasant rebellions, and military rebellions. Political and social movement targeted government and the chaos is fed by The constitutional monarchy in Tsarist Russia dramatically increased, peopleĪsked for freedom of religion and freedom of the press.

In this paper, the movie is going to be examined in terms of constructivist impact in first years of USSR cinema and Eisenstein dialectical approach to the montage. The movie has been a classic for film critics and inspires many filmmakers. The music added to the silent movie is written for the film specifically by Edmund Meisel, which is common in that period of a Soviet Cinema. The plot is about a rebellion started with a battleship in the Black Sea close to the Odessa and then moved to the Odessa harbor and people who against Tsarist government. Battleship Potemkin (Броненосец Потёмкин, 1925) is the second feature film of Russian director Sergei Eisenstein.

Battleship potemkin soviet montage